I suppose in some respects I am an art tourist as it is one of the things that I do research before traveling or look up when i arrive in a place and it does occasionally dictate why I would travel to certain cities. A good example is Bilbao where I went because I wanted to see the Richard Serra pieces.
A valuable resource for finding out what is on in terms of art in Tokyo is the website for Tokyo Art Beat.
Azabu-Juban and Roppongi’s skyline is dominated by the Mori Tower at Roppongi Hills which stands at 238m and is one of the tallest buildings in the city. The first few floors are home to numerous shops and restaurants which in all honesty I have not really looked at or eaten in as the majority from window glances seem to be high end European fashion labels or European style food.
The reason that I do go to the building however is for the Mori Art Museum as well as the City View, there is also an open-air rooftop deck which I haven’t been to so can’t vouch for that experience. The photograph at the top is from the city view which is indoors. The museum’s design shop is also pretty good.
In Japan, they like to produce A4 size information sheets for exhibitions which are found all over the place as well as the more conventional advertising of posters. So combined with the afore mentioned website and spying a poster somewhere I had seen that an exhibition called “Simple Forms – Contemplating Beauty” was coming to an end at the museum and so wanted to see it.
It was an exhibition that spanned a wide variety of time and cultures and brought together work that was not just classed as fine art but also items that might be considered to be craft items. So brought together were Japanese teacups to Brancusi sculptures as well as paintings and photographs.
Interestingly as I was to notice more frequently over the next month or so in various museums, is the adherence to “No Photography” in most museums by visitors, which is perhaps a good thing as sometimes we spend too long trying to get a good photograph of an object rather than actually looking at the object while we are there. That said Japanese museums do select one or two pieces where photography is allowed.
One of which was “Liminal Air Space-Time” by Shinji Ohmaki.
This was a very effective piece and brilliant in its apparent simplicity, no doubt helped as well by having the vista of Tokyo behind it. The cloth is supported if I remember correctly by fishing line and suspended, the square areas below house fans which direct air from below to create the undulating forms.
Yes, there was the briefest respite from the rain while I was there which allowed for the pictures on this entry.
Then it was onto visit my uncle in the evening via a neighbourhood that has been transforming itself into a place for young couples to bring to their families. While on the train there, I spotted that the light was doing strange things to the surface of the water turning it into a mirror like effect. I still don’t know what the people down there were actually doing.